Deb Bowness – Local:Heroine by Becs Gardner

BGI’m not a cool cat. Never have been. If I like something (or someone for that matter) I find it really hard to not be a total geek about it and wear my heart on my sleeve. This trait showed itself in all its glory when I made a certain discovery only last week.

No doubt you will be familiar with Deborah Bowness’ “Genuine fake bookshelf” wall coverings (if not, you can see the full range of products on her website here). It’s been in myriad interiors magazines, graced the walls of high-profile Designer Abigail Ahern’s London home, and has been imitated numerous times over. It (amongst the rest of Deb’s collection) is one of my most favourite and aspirational interior products. So, I hear you ask, what was my discovery? Just this: all Deb’s wallpapers are handmade in a small factory workshop just 8 miles from my home. My design heroine, Deb, is now officially a Local Treasure too. Gasp.

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Original Genuine Fake Bookshelf

Naturally, being a blogger and design enthusiast I couldn’t just leave it there. I had to see if they were open to visitors. You can imagine my excitement when I got the all clear to pay a visit and write it up. Deep breaths. Here it is:

Workshop

Bowness & Bowness’ workshop is tucked away down a quiet country lane just outside of York. Housed in an unassuming tin warehouse, the only thing letting me know I was heading in the right direction was a bunch of silk screens propped against the outside wall, and one of Deb’s “Utility Lamps” hung just inside the door. No sign, no fanfare. This is business.

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Utility Lamp | Kim’s Lamp

I was greeted by Leigh. Leigh is the “other” Bowness; Deb’s sister. With a background in PR & Marketing, Leigh is just the balance the business needs to get the product “out there” and put meals on the table: “Deb would happily create all day long, but she knows we all need to earn a living” says Leigh. For seven years Deb ran the show on her own; designing, producing, marketing (exhibiting, travelling, accounting… sounds exhausting to me). Five years ago Leigh came on board and moved the production back to Yorkshire where the sisters grew up. “We’ve grown the business totally organically, never taking more people on board than we could afford, and never borrowing any money.” As I toured the workshop (read: snooped about) it became clear that this model has worked for them – evidenced by the number of samples and rolls about to head out the door to eager clients.

samples

booksBut more than that; this place is littered with personal touches. Second hand furniture picked up along the years, a series of canvasses produced for a friend’s wedding adorns the walls; the obligatory staff shed (every creative studio needs a shed). This place could only ever have grown organically, out of a passion and love for design. It’s about as far from corporate as you could get; it’s a real cottage industry, a craft.

industry

personalAs I got the low down on the production process, I realised these papers are more like mini works of art than your standard wall covering. It all became very clear why they don’t come at your standard high street price; each trompe l’oeil design is personally photographed by Deborah, then digitally printed in monochrome tones. After that, blocks of colour are added through screen printing, and the final touches are painstakingly added by hand with watercolours.

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Wallpaper collections

Even the equipment used throughout the process right down to the lightbox used to expose the silk screens has been purpose-built in situ. “We used to have certain parts of the process done externally”, says Leigh “then realised that we could get a better result bringing it in-house. We get to experiment more without worrying too much about the cost, and of course, we get to control the whole process more closely. Deb is a stickler for quality and detail!” I’m becoming more and more of a fan with every step.

With all the personal touches along the way, this is not something that is easily copied. Put it this way; you can spot an imitation a mile off. But what does it feel like to have your work ripped-off? “It is frustrating, but it’s not something that we can control. On the other hand, if nobody was copying it, that kinda sends a few signals. At least we know we’re doing something right!” Touché.

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Shop the Deborah Bowness collection here

Even with Leigh’s input in the business, it can’t be easy balancing the creative side with selling the stuff. I wondered, had they ever been tempted to go down the high street route and get their products sold by a big brand? “Well”, says Leigh “I can’t say too much right now. We know that we have a vast following of people who really love the product, but who aren’t buying it because of the price.” [*ahem, that’s me she’s talking about.] “Let’s just say that we’re keen to make something more accessible and affordable. There are a few irons in the fire.” This is music to my ears. All I can say now is “watch this space”.

Huge thanks to Becs for today’s inspiring posting.  Do check out her fabulous interiors blog for real women, An English Girl’s Home, and follow her on Twiiter @becsgardner   

Pick of the Best Interiors Stores in Shanghai

After the panel discussion I took part in during CDW in the Summer I was approached by Sofie van der Velden, a design student seeking help gaining an internship in Shanghai.  Sofie eventually won herself an excellent internship and we agreed that whilst in Shanghai she would write a Guest Blog for us, giving her pick of the best interiors stores in the city.

Born in The Netherlands, but studying International Branding & Marketing Management at Teko Business + Design University in Denmark when I met her last summer, Sofie was just 19 when she boldy set off for Shanghai in August.  Prior to starting her internship in September she wisely took Chinese language classes at Donghua University and also immersed herself in the Chinese culture, which at first she found “a bit surreal but fascinating”.

Since arriving in Shanghai, Sofie has been visiting Interiors stores, gradually photographing them, conducting interviews with the owners, writing about her impressions and sending me her roving reports.  Today we are thrilled to share her wonderful report with you in full:

CLICK THIS LINK to enjoy Sofie’s full report from Shanghai (it will open-up in a separate window which you can enlarge to full screen size to view all the info & photos in detail).

HUGE thanks to Sofie van der Velden for putting together such a terrific report for us.  Great work Shanghai Sofie!!!

Be sure to check back next Monday when Zak (our rather excellent Intern) will be taking a look at several amazing photographers and then drawing inspiration from their work to create unusual colour palettes and looks for Interiors which are sure to inspire you!  Get ready for some Winter Floral Fabulousness!

Hot Spot – The Ampersand Hotel

Victorian values of discovery and wonder are points of inspiration for the new London boutique hotel, The Ampersand. Situated in the heart of Kensington, a stone’s throw from South Kensington tube station, the hotel makes reference to its world-class Museum district across all of its bedrooms, suites and places to eat & drink, meet & gather.

Housed within a stunningly impressive Victorian building dating back to 1888, originally as the Norfolk Hotel (you can still see the name plaque above the main portico), The Ampersand is a quintessentially British boutique hotel taking its interior design inspirations from local attractions such as the V&A, Royal Albert Hall and the Natural History and Science museums. 5 key concepts are showcased in all 111 rooms: botany, ornithology, music, geometry and astronomy. The hotel has a sense of contemporary Victorian exploration and wonder with curiosity objects in glass domes, botanical drawings on the wallpapers, sheet music on the pillows…

When I visited the Ampersand, I was given a guided tour by the wonderful Sales & Marketing Director – Marites Araneta - who met me beneath this jaw-droppingly awesome, specially commissioned lighting piece by Ingo Maurer … a one-off version of his Birdies light. 18m in height, it soared from the lower ground floor to the top of the recently refurbished double width staircase. It has to be said that from this point onwards I couldn’t get my jaw back off the ground, this place is beyond words and pictures do it no justice!

I could quite easily have settled down in the none-imposing lobby for the rest of the afternoon, with its plush seating and botanical prints. The reception desk did not seem as conventional as other mainstream/chain hotels as it had been designed as a standalone piece of furniture that provided a welcoming environment. The interior designers Dexter Moren worked with carpet producer Brintons to create a series of carpets for many of the hotel areas. When talking to Marites about the interior design, she mentioned the private owners had a very unique identity they wanted to stamp on the Ampersand and worked with Dexter Moren to achieve this.

Immediately off the lobby to the front of the building I discovered ’The Drawing Rooms’, and it was instantly evident they had been inspired by ornithological studies, as bird prints and patterns adorned the room schemes. Serving afternoon tea (£16.50pp or £25pp with champagne – very good for central London) the rooms where bathed in sunlight, streaming in through deep bay windows. Kingfisher blues and red velvet seating created a decadent but accessible space to enjoy a curious selection of sweet pastries, cakes, macaroons and tarts. Coffee is brewed in the hotels Victorian coffee press and the selection of food on offer changes daily. Marites kindly explained that the chef is very experimental, so no 2 dishes are ever alike and I loved that! … it added to the whole exploration and curiosity of the place. It had the air of a French patisserie but combined with the traditional English drawing room of old, and reinvented in the Ampersands contemporary feel.

We headed down that brilliant staircase to the lower ground floor and I was shown to the hotels Mediterranean infused Apero restaurant. Even though this space was in what would normally be considered to be the basement, it had been done in such a way that enough natural light was allowed to enter and the artificial lighting was ‘statement’ enough to make you feel on the ground floor. The white metro tiles and exposed brick decorating the walls created another luxurious yet laid back space with over 5,000 black & white mosaic floor tiles in the double height entrance way off the main street. The floor was directly inspired by the mosaic floor in the nearby V&A museum.

Along the corridor from Apero were 2 fantastic meeting spaces. The Library was in use so we couldn’t get a peek in there but it was made up by The Games Room! A brilliantly original idea for an event space - it was styled like a traditional games room offering board games in a relaxed setting and even had its own table tennis equipment which doubled as a conference table! Genius! Fully kitted out with LCD screens and audio equipment for video conferencing (behind the concealed paneling) both rooms could be split and then interconnected to create one flowing event space.

Marites then showed me the bathroom facilities – although not normally on the official tour(!) she felt they where a definite point of interest. As it was a restroom, I’m sure you’ll understand the lack of photographic evidence! But I can tell you that London perfumer Miller Harris had designed all the bath and restrooms in the hotel and interestingly had made the main restrooms downstairs unisex. Each cubicle was decadently decorated in a different wallpaper to the next which created a sense of privacy, but with enough openness for the unisex aspect to work perfectly. All the toiletries in the hotel where also provided by the luxury perfumer.

And the best ’til last! We took the lift (even this was wallpapered - the level of detail at the Ampersand was amazeballs!) to an available room, a superior bedroom. More spacious than the double room and inspired by music, it was pure heaven! The deep studded, oversized velvet bed head looked comfy enough to sleep on, never mind the sumptuous beds! Sheet music wallpaper created a focal point for the room and was complimented by the soft furnishings. Original high Victorian ceilings added an extra sense of space. All rooms included the usual tea/coffee-making facilities, but they were concealed out of sight in the generous wardrobe. The room also had a LCD TV, media hub and iPod dock with the unsightly sockets and connectors again ingeniously concealed within the desk. You wouldn’t know they were there! Again the bathroom exceeded expectations; monochromatic with black & white metro tiles, striped wallpaper and crisp white sanitary ware.

Interior designers Dexter Moren have recently won the International Design & Architecture Award 2012 for The Ampersand Hotel in the ’50 – 200 bed’ category, and rightly so! The hotel is magnificent! I highly recommend a visit, either a stay – check out the special offers – or the delicious afternoon tea.

Many thanks go to Marites at the Ampersand for showing me around the hotel and letting our readers virtually visit this Hot Spot!

Our thanks to Anthony for visiting The Ampersand Hotel and sharing his tour with us today. 

Be sure to check back next week when Miss P will be announcing our latest Giveaway Competition!!!  We received photos of the products (Yes plural!) last week and they are fantastic.  So join us again next week for more gorgeousness.